Otto Eckmann

Five Swans Tapestry

1897

 

In this piece, I was struck by the clear intersection of Medieval and Japanese aesthetic, combined intentionally by Eckmann. In Germany specifically, Jugendstil was predominantly formed from Japanese folk art/calligraphic forms and Medieval European art/lettering. Design principles are really being explored in this particular tapestry, just proving how sophisticated design was becoming. The fact that Otto Eckmann was a teacher for so long in higher institutions was assurance that great design thinking was being passed on. The transparency and reflection in the water where the Swans swim is incredible. The understanding of how water looks even on a fabric medium is impressive to say the least. The planning going into this embroidery must’ve been expensive due to the exploration of the background, middle ground and foreground as well as the foreshortening found in the winding river. There is a strong understanding of rhythm and how arranging lines in a certain way can add a musical quality to the piece as well as lend to the curved motifs of Art Nouveau. One of my favorite things about this piece is the commitment to and understanding of color. Eckmann choses relatively similar palettes for his work, but strays every so often. Those colors usually create a powerful mood in the viewer. For me, this is a very seasonal-specifically autumnal- tapestry that feels natural yet refined. The fact that Eckmann is able to consistently transfer his moody colors from medium to medium is extremely professional and impressive.